
I only listened to the clips the other morning before heading off to uni, so I need another listen. But I thought they sounded really Jarre and Vangelis, and I wouldn't complain about the quality.
Perhaps, but it's a journey I enjoy, both in creation and also in consumtion!But then, if you spend your life questing for novelty, then you're going to have a long frustrating journey.
Well, that's certainly an interesting point (if I don't like something that's going on, why not do something 'better' myself--and please note the scare quotes). However, I'm not sure I will ever be in the position to create top-notch C64 mixes; still, with a new Pro-Tools rack on the way, it might be a possibility to at least try, at least after the next VMU CD gets put to bed.If you can come up with an innovative C64-remix album, I'd be delighted to support it.
This is most definitely the case; BIT 3 went through massive changes, many of which were due to beta feedback. From my own point of view, the final product was, in almost every case, far better than those early mixes I heard. Those things that weren't better were solely down to my own personal taste, although I always understood the reasoning (such as the guitars on Armalyte). I have to also say that Chris has, without exception, always been willing to listen to, and on many cases act upon, constructive criticism.Chris Abbott wrote: Some of those people who have been most vocal have subsequently turned into beta-testers precisely because they bought a different viewpoint to mine. They influenced the CD because they were outspoken, but crucially unlike you, they were outspoken in a
constructive way: they stated what they didn't like, why they didn't like it,
and suggested alternatives or other ideas. CraigG will back me up
on this
I'd actually be interested to know how many copies this has sold. If it's more than 500, then Chris has already done at least as well as most indie labels would have, many of whom consider that barrier a good first step these days...Jens wrote:A CD like "Instant Remedy" surely would get a real distributor, not because it is brilliant, but because it has an appeal to the mainstream purchaser.
Oh, come on, since when has quality had anything to do with a wider audience? I've had a relationship with Swim~ for some time now, and that label has put out many _stunning_ releases. Perhaps the best of them all was the first Lobe album; total sales: 500. And yes, it didn't get more sales because it was largely and wrongly ignored by being on a small, independent label...IF your product does NOT lack in quality, why is there no wider audience? Why does no bigger magazine has articles about it? Just because it is independent?
Well, that's a good point Craig !!!CraigG wrote: While I'm sure many people will hate/flame me for saying it, in retrospect, I reckon Kernkraft 400 actually had the right idea in some ways, although obviously went about things in the wrong way: take a catchy hook from a well-known C64 track and turn it into something contemporary and 'now'. Maybe that's the (or at least _a_) future for the scene? Maybe I'm just wondering about the recent tendancy for retro sounds of retro (computer) tunes...
ERM SHIT!......HE KNOWS.........<GETS OUT THE BROWN ENVELOPES IMMEDIATLY> !!!!(Oh, and infamous, I've been checking my statement... Send me a brown envelope with lots of cash in it or I reveal, a) the name of the company, b) the name of the product, and c) what you use it for )
lol, seemingly only when drunk lololFor Infamous: See? Men do say "I love you",(see above).