New life in the mainstream for SID?
- naughtyboy
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New life in the mainstream for SID?
Recently I have been given the opportunity to score a Disney short! I am also currently scoring a multi-platform multi-player game for nokia!
BOTH are being shot with a large dose of pure SID! Not only that but 80% of the instrumentation are 8 bit computers and consoles like Nintendo NES, Apple II, Game Boy, etc. However, the SID is usually the main lead or a highlighted instrument in every track I am crafting for these two tremendous projects! Two mainstream projects that thousands, possibly millions, will be exposed to!
I'll keep you all posted on the release of these two items! Im very proud to finally be able to give something back to the c64 music scene.
Cheers,
BOTH are being shot with a large dose of pure SID! Not only that but 80% of the instrumentation are 8 bit computers and consoles like Nintendo NES, Apple II, Game Boy, etc. However, the SID is usually the main lead or a highlighted instrument in every track I am crafting for these two tremendous projects! Two mainstream projects that thousands, possibly millions, will be exposed to!
I'll keep you all posted on the release of these two items! Im very proud to finally be able to give something back to the c64 music scene.
Cheers,
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Firstly, congrats to Seth. I loved the last 8BW CD and can't wait to hear what new stuff you've come up withChris Abbott wrote:Seth's an original And we're already talking about covers he does do.tony.rc wrote:I know suprised that no one has mentioned that you will have to pay off the composers to use their SIDs.
Or are you doing your own SID tunes?
Chris
Secondly, regarding royalties (Chris). Are the payment of sample royalties still dictated by the duration of the sample? I seem to remember that the sample has to be proven to be the main feature point of the song before an artist gets royalties (I think it was five seconds or over)?...
What if Seth (as an example) made a track using the Arkanoid drum set, but nothing else Arkanoid related, would Galway require payment?
Just a thought - probably a grey area, I would imagine...
Tonka
EDIT: BTW, Liam Howlett used the Arkanoid drums in the last Prodigy album. Just thought I'd snitch on him here...
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It's an extreme gray area. There's no table of "how much you have to pay per second", it's a question of "who has the biggest lawyers". In the case of the Arkanoid drums (sounds like an Agatha Christie!), if he's using them out of context, then I don't think it's actionable, although distinctiveness of sample would probably play a part.Tonka wrote:Firstly, congrats to Seth. I loved the last 8BW CD and can't wait to hear what new stuff you've come up withChris Abbott wrote:Seth's an original And we're already talking about covers he does do.tony.rc wrote:I know suprised that no one has mentioned that you will have to pay off the composers to use their SIDs.
Or are you doing your own SID tunes?
Chris
Secondly, regarding royalties (Chris). Are the payment of sample royalties still dictated by the duration of the sample? I seem to remember that the sample has to be proven to be the main feature point of the song before an artist gets royalties (I think it was five seconds or over)?...
What if Seth (as an example) made a track using the Arkanoid drum set, but nothing else Arkanoid related, would Galway require payment?
Just a thought - probably a grey area, I would imagine...
Tonka
EDIT: BTW, Liam Howlett used the Arkanoid drums in the last Prodigy album. Just thought I'd snitch on him here...
In general, if someone used the Arkanoid drum _track_, then Galway would need payment (if it was commercial). If it was the Arkanoid drum noises playing something different, then no. Besides which, Quadrasid does those, so it would be impossible to prove he got them from the SID. Because he probably just used Quadrasid.
Chris
Won't somebody PLEASE think of the children?
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Hmm. In general if it's recognisable (which includes an element of distinctiveness) then it's probably actionable, regardless of length. There are no set rules.Tonka wrote:I seem to remember that the sample has to be proven to be the main feature point of the song before an artist gets royalties (I think it was five seconds or over)?...
Chris
Won't somebody PLEASE think of the children?
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- naughtyboy
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