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- Analog-X64
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Agreed.Chris Abbott wrote:Exo (and everybody): if you're going to post YouTube URLs, could you provide a few words of summary, or at least a hint what it is?
The Above YouTube Clip is for a service called http://www.splicemusic.com and the topic says.
"How To Make Free and Legal Soundtracks For YouTube Videos"
- Analog-X64
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Nice to know I'm pushing the envelope and breaking new ground in laziness. My preferred evaluation strategy is also call-by-need (lazy memoized evaluation).
About that link, well it's just a toy I suppose, but something which some musicians may enjoy. Also I've recently seen examples of Flash synthesizers. It's getting powerful enough for that sort of thing - not that I believe a webpage with a Flash applet is any serious solution, but fun nonetheless.
http://lab.andre-michelle.com/tb-303
About that link, well it's just a toy I suppose, but something which some musicians may enjoy. Also I've recently seen examples of Flash synthesizers. It's getting powerful enough for that sort of thing - not that I believe a webpage with a Flash applet is any serious solution, but fun nonetheless.
http://lab.andre-michelle.com/tb-303
- Analog-X64
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Back in Late 80's I was at a Music Store and saw a small little keyboard with some knobs and stuff for $150 Canadian. I thought...shoot thats expensive for something that looks like a little toy.
I was buying my Roland W-30 Sampling Keyboard for $1900 at that time.
FlashForward into the future. I would have rather bought the $150 Keyboard than my Roland W-30 keyboard.
Because it turns out the little keyboard I was looking at was a TB-303.
I was buying my Roland W-30 Sampling Keyboard for $1900 at that time.
FlashForward into the future. I would have rather bought the $150 Keyboard than my Roland W-30 keyboard.
Because it turns out the little keyboard I was looking at was a TB-303.
About 4 years after leaving school and getting heavily into music creation, I saw an article in Future Music about how the Roland SH101 was becoming quite sought after. I seemed to recall that not only did they used to have 2 SH101's at school (which nobody was ever allowed to use unsupervised) but that they were also 1 red and 1 blue (i.e. quite rare).
Trotted off to the school, spoke to the music teacher and got them for 25 GBP each (one for me & one for my other music making buddy) Sold it for 200 GBP about 1 year later.
Result! (I fucking HATED school)!
Anyway, a cute VST to play with (they had these at my school too):
http://www.polyvalens.com/vl1/download/VL1_V1010.ZIP
Trotted off to the school, spoke to the music teacher and got them for 25 GBP each (one for me & one for my other music making buddy) Sold it for 200 GBP about 1 year later.
Result! (I fucking HATED school)!
Anyway, a cute VST to play with (they had these at my school too):
http://www.polyvalens.com/vl1/download/VL1_V1010.ZIP
- Analog-X64
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I had bought a Red SH-101 with the Grip and everything, was doing some work with a House/Dance type of band. We did an appearance on TV for the Jerry Lewis Telethon which is an anual show, it was a way to make get some exposure. After we were done, we gave some interviews to local papers etc... and we left. I had brought my SH-101 with me incase we needed to use it, but we didnt...well at some point after the performance someone stole it from the back of our van.Tonka wrote:About 4 years after leaving school and getting heavily into music creation, I saw an article in Future Music about how the Roland SH101 was becoming quite sought after. I seemed to recall that not only did they used to have 2 SH101's at school (which nobody was ever allowed to use unsupervised) but that they were also 1 red and 1 blue (i.e. quite rare).
I tried to buy another one, by that time the prices was $400 Dollars, I kept waiting and waiting and price just kept going up!!!. So in the end I overpaid $850 for a Grey one, with original manual and carry case but no Grip for it.
I've looked for Grips on EGay, but they wanted $70 U.S. + for one and I only really want a Grip just to have a complete unit.
I love jamming live on it and sampling. The Sub Bass on it is so awesome I've blown speakers on it before.
Thanks for the Link.