You're right, but you and exo didn't get my point at all. It's of course not about playing an instrument. Trivial. It's about credibility.tas wrote: But ain't that the world of reviewing in general? I mean say a reviewer of a top audio magazine reviews an album the chances are that he/she is not able to play all the instruments involved and is not able to provide technical details as to what you would wish - He would generally go on the feel of the track and to what parts he enjoyed or didn't.
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You absolutely do not need to know what goes into making it to either like or dislike it.
Shouting:"I don't like it. It doesn't generate any feelings for me." is absolutely ok. It's subjective but this is the only way to judge about any kind of art instantly and instinctively. That doesn't offend me as long as a reasonable rating comes with it. Naturally these kind of shouts most times are given by non-remixers.
Some shout "I don't like this" and give a "good" while others shout "Great stuff" and give the same rating. Obviously both of them didn't say everything what they had in mind.
But for me everything becomes really ridiculous when non-musicians/non-remixing people try to technically rate remixes of musical genres they neither obviously ever dealt with nor can possibly "understand". (I guess you get the point. ) Leave it, don't download, don't listen is my best advice for those.
It's like a vegetarian who wants to tell me how to dress my schnitzel.
That said, I think the main problem of the system is that the subjective shout is combined with an absolutely objective rating, a percentage.
And I think this rating should only be given if you judge by emotional appeal, production value and innovation at least and not emotional appeal alone. And yes, musical skill is an issue, too, but that is included in production value.