An Interview with Makke

by Neil Carr

Makke's 'Ode to the c64', had to be investigated. This is just one of the many questions we asked Makke. He has produced some memorable tunes so far, and 'Ode to the C64' has possibly got to be one of the most original concept's for a good while.

Real name: Marcus Nilsson

Handle: Makke

Born: 1980

Nationality: Swedish

Interview date: 19 April 2001


Neil

Who were your favourite c64 composers?

Makke

The kings: Rob, Ben and Martin. Those were the first ones I really liked from the start. My first true memory of actually getting hooked on a C64-song dates back to 1990 (when I got my first C64). Me and my brother was playing Delta for the first time, and not only did I love the game but the music stuck. Later on in ’97 I picked up the C64 thing again, and learned to love Future Freak, Jeroen Tel, Paul Norman, David Whittaker… I can go on for ages. But I guess the ones mentioned here are the ones I got hooked on the most.

Makke
Neil

What sids were your personal favourites?

Makke

Cybernoid II is the ULTIMATE song. Not only on the SID, but in existence. At least I thought so for a long while, and I still think it’s a popmusic-masterpiece (too bad the game sucked though). Crazy Comets is also one I love, as well as Skate or Die. The Deathwish III music is also one of those unforgettable pieces. And of course the Dexion Ranking Demo-music. Brilliant!

Neil

What Equipment/Software do you use?

Makke

I own no synth and I can’t play the keyboard. I mainly use FT2 for making the songs and then I save all the channels to different wave-files and then I mix them in other programs. Right now I use Cool Edit Pro, but I’ll be switching to more hardware oriented mixing as soon as I got the money for a better soundcard.

Neil

What other arrangers/remixers do you like?

Makke

I haven’t checked out that many arrangers yet. Only the old timers. I didn’t like C. Abbott’s early stuff, but Back in Time 2 was a major upgrade. I also like J. Liljedahl except for the way he treats the drum/percussion parts (too basic and stiff), but being the great musician as he his I’m sure he’s been working on it.
SoundWavers are really cool. O2 and FeekZoid are also really great. Puffy is a major player as well, but my absolute favourites are TDG. They make my day 24/7.

Neil

Who do you think gives the scene the biggest boost, and why?

Makke

Without Chris Abbott there would be no c64remixing scene. Big cred to him for that, but right now I’d say it’s Jan and all the other guys involved with remix.kwed.org.
Who’s giving the boosts on the music front I really can’t say. There’s just way TOO much remixing going on for me to download on my 56K modem. I haven’t downloaded much new stuff for the past 4 months. Not only because of the modem, but because there’s been too much repeating in remixing. The same songs are getting played over and over again, and after a while it gets a bit boring. Besides, it’s still the C64 music I love. Not the remixes. I don’t love remixes so much I spend my days on the modem downloading them. If I had a faster connection I’m convinced this situation would be different. I mean, if you spend half and hour downloading a song it better be good.

Neil

What non c64 music do you like?

Makke

I listen to everything. But AC/DC, Pantera, Black Sabbath, Kraftwerk, Bad Religion, Covenant, VNV Nation, Apoptygma Berzerk, Rancid, Millencolin, Rammstein, Iron Maiden and Depeche Mode are probably the bands I listen to the most. However there’s always Spiritual Beggars, Beck, Apollo440, Fear Factory, Chemical Brothers, Prodigy…I could go on for bloody ages.

Neil

What are your fondest memories of the c64?

Makke

From the old days it’s me and my big brother playing IK and Defender of the Crown. My oh my, we could sit there for hours. The best thing with playing games on the computer was that my brother couldn’t cheat like he always did if we’d play Monopoly or RISK.
From more recent years I’d have to say that the (Activision’s) Decathlon matches, me and my mate Wolk had in 97-99 were top class entertainment. The best game to challenge your friends in.

Neil

Your ode to the c64 (Hammerfist) tune is something very different, but excellent. What can you tell our readers about this tune, and is that you singing?

Makke

Yep, that’s me singing alright. My singing voice stinks (not only from a bad breath), but I do love to sing and experiment with singing in my music. I can’t recall ever hearing anyone sing in C64-remixes before (part from a few SoundWavers songs, but I don’t know if I’d like to call that singing), and so I started looking for a song that would go well with lyrics. I didn’t want it to be a famous SID, because I figured if people disliked the singing and I had ruined their favourite SID, and they would hate me for all eternity. So I picked Hammerfist by Tomas Danko. No offence to Mr. Danko, but Hammerfist isn’t really a great SID, however it had some elements that I liked. I got to work, it sounded pretty good and the rest is history. The only thing I’m not happy with is that I didn’t get a good chorus in. I’m gonna try to get a sing-along friendly chorus into my next vocal-remix.

Makke
Neil

What are your likes/dislikes about the scene?

Makke

Right now, there’s too much being released. This is both a good and a bad thing. The good thing is that there are lots to choose from, and the bad thing is the exact same thing. There’s much to choose from…and I don’t know what to download. Hopefully a faster connection will sort this problem from me. It would be nice just to download it all and have a listen. But I don’t feel like doing that on my modem.
The second problem was that the scene lacked a forum, but I guess all that has been taken care of now.

Neil

What/who are your musical influences?

Makke

That’s just impossible for me to answer. I listen to a shitload of music everyday it’s hard to say what influenced me to do this and that. But if I have to say something I’d say Apoptygma Berzerk’s Welcome to Earth album is absolutely one of the greatest influences of my synthetic music during the past year. Prodigy and the Chemical Brothers are others. I play around with alot of different styles and I think I get a bit touched by all of them. However, I just love the simple synthpopish feeling on Welcome to Earth. It’s not as dark as most synth music usually is and it has some really catchy songs. That’s what I think is the most important thing with a rock/pop song, it has to be catchy. Otherwise it loses it’s meaning.

Neil

What type of feedback have you had?

Makke

Not that much. Of course there are the reviewers (LaLa and co). Kenz sent me a few words, so did Chris Abbott. The only major feedback I’ve got is on Ode to my C64 (Hammerfist), and that felt really good. People should send more feedback when they like other peoples work. I’ve said that before many times in demoscene-magazines, but I guess you can’t say it too many times.

Neil

If there was a tune that you wish you could claim as your own, what would it be and why?

Makke

The Last Ninja remixes by TDG. My god! They’re just awesome! If those were mine I’d soil my pants thinking of how good I am.

Neil

What are your thoughts on music in modern day games?

Makke

There’s a lot of excellent stuff, but most gamemusic nowadays are just background music which you never really notice. In the old days the background music of a game penetrated your skull and stuck in your brain, even if you weren’t aware of it, it did. Just to mention a few examples, the Lotus Turbo Challenge music on Amiga. I can still hum every song from the game to myself and I haven’t played the game for years. The Lazy Jones music on C64: Brilliant songs, still stuck there. I bet if I stopped listening to the Lazy Jones SID today, 10 years from now still be able to say it was the Lazy Jones music after 3 seconds. The music from Duke Nukem 3D: I could pin point the level the music came from in my sleep.

Nowadays however they all sound more or less the same, and you won't remember the songs in a game after you stopped playing two weeks ago. I’ve been playing a bit of Soldier of Fortune the past months, and the music is EXCELLENT! But I can’t remember how any of the songs go. And that’s a bit sad. You don’t get the same feeling of returning home when you fire a game up as you did before. The musical-magic seems to be gone. Just fire up Monkey Island 1 on your Amiga and tell me you don’t know what I’m talking about.

Neil

Do you think that c64 music in any form could make a commercial impact?

Makke

Yes. Zombie Nation have already proved that. Just give the SID a modern shell and the mob will take it for a brand new level. It’s been done before. Give old stuff a new shiny armour and everyone will think it’ll be something totally new. In that way Zombie Nation was a good name for it, Because the mob is like a horde of zombies.

Neil

The excellent C64 megamix 1, how did you come to get this idea, and what were your reasons for the tunes that you selected?

Makke

First off I wanted to remix a song by Ben Daglish, but none of the songs that were already remixed. I liked Technocop, but it wasn’t good enough to base a whole song on. The Kraftwerk-drums was placed there by coincidence. Some how I just tried them in there, and I guess they’re the source of this songs originality.
So anyway, the Technocop song wasn’t really the ideal remix-sid, but at the same time as I did it I’d been playing around with Hülsbeck’s Jinks, and so I just merged the songs. The last part with Afterburner was done in ’98. I never released it, but I liked it anyway, even though it actually was too basic to release.
When I had finished Megamix 1 I didn’t like it at all. I had a few friends listen to it, and they convinced me to release it. So I did. I’m glad at least someone likes it. I’ve learned to like it myself, even though I’m not at all that happy with it.

Neil

C64 Megamix 1, suggests there may be another megamix on it’s way, is this the case, and what tunes are you thinking of mixing?

Makke

The 1 in the name is more like a precaution thing in case I want to release another megamix. Right now I have no plans on one, but there might be something cooking. As most of my musicstuff they just happen. It’s nothing I plan to do. Somehow it just appears. But I DID release another megamix. Echos of the Master.

Neil

What remix are you most pleased with?

Makke

Echos of the Master. I think that was my first C64-remix I released as an MP3 (in 98 or 99). However I consider that one as the most original piece I ever done. It wasn’t meant to be a C64 remix from the start, but when I was trying to find a good melody for the song I just tried the IK -theme out, It fitted so well I had to keep it that way. Then I tried the baseline from Commando out. Sounded excellent! (All though my personal all time favourite remix I did is the Jesus on E’s remix, of an old Amiga Demo-soundtrack.)

Neil

What would you say is Rule no.1 when remixing a c64 tune?

Makke

To do something original but still respect the old SID. In many of my remixes I add stuff like melodies and parts that are not in the original SID. First off because I like playing around with melodies and breaks, secondly because it enhances the remix. I want to make my remix as good as I can, and if it takes a bit of adding and cutting that’s what I’ll do. I don’t just want to do a blueprint of the SID. I want to put something in there myself. A touch of Makke.

Neil

So what is Makke working on next?

Makke

First of all I’m working on a new homepage. I’m not working on any new C64 remix at the moment. I have a few unfinished, but I think I’m stuck with those and I’m really unhappy with the results.

Neil

What does the future hold for you and your music?

Makke

Who knows! I’m working on a solo demo-tape to send to some record-labels. I’m also doing a few other things such as Skullgrinder and Welt, which are metalbands, T.W.O. (a synthprodject I have with a friend), and of course there’s always some new C64-remixes cooking in the back of my head, but I’m far too lazy and untalented to get most of the ideas out.

Neil

Lastly, What would you like to say to the scene?

Makke

Uhm…take care? Hehe. I can’t think of anything witty to say right now…

Feedback that's what is needed according to Makke. I agree. How else will these guys improve and get the strength to continue and apply their thoughts meaningfully in the form of music. So if you like/dislike a song let them know…It will be in everyone's interest. Hey! but guys don't just take it on the chin, why not reply to the feedback. If you do then i'm sure many will provide more feedback on future arrangements. A simple thankyou message is often suffice.

- Neil