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M.U.L.E. (Aerobics in the jungle mix) - arranged by MahoneyReview by Procyon, 20/08/2008 I was watching TV recently, and the advertisement for Foot Locker and Nike'sHouse of Hoopscampaign came on. The music sounded so familiar. I thought they used part of this remix. So I did some research on the music in the ad. It turns out that the beat which Mahoney used as the background to this remix was originally created by DJ Strobe. The Track is Kodo - Strobe's Nanafushi (Satori mix)from the album Sai-So: The Remix Project out on Sony/Tristar music. Granted, Strobe's beat and the M. U. L. E. theme sound so great together, it's like they should have always been one track. But I thought it was interesting that I didn't find any mention of DJ Strobe's beat in the information about this remix, and I thought it should be clarified. |
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Space Harrier (Cooksley vs Bach Mix) - arranged by Karl R PettersenReview by carpii, 27/07/2008 wow, some harsh reviews here.I adore this track personally, the harpsichord sounds great and the lead synth is unusual but fits so well. |
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Compleeto - arranged by SlaygonReview by LaLa, 15/07/2008 Finally! A remix of this wacky and weird Top 100 SID! Kudos for trying to remix this admittedly very hard tune.But drop the broken recordintro. It's horrible, it pains my ears. What were you thinking, Slaygon? The groove of the remix is awesome, fits the tune well. I really like the fact that the original's arrangement was left fairly intact - it works, why bother with it? I even like the occasional SID sounds here and there from the original, enhanced by moderninstruments. Overall, though, it's lacking something to make it really special. Somehow it doesn't feel as wacky as the SID, it's like a wild animal that got tamed in captivity. Massive respects for the effort, though. It's a unique remix of a unique piece of SID tune. |
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Green Beret Cosmix - arranged by cosmiqReview by LaLa, 13/06/2008 8 years on and it still sends chills down my spine. The opening with the birds chirping is a great counterpoint for all the synth pads, the drums appearing 2+ minutes into the tune are a subtle driving force, and the undertones present throughout the arrangement are just superb. As brilliant as Reyn's remix is - which is the one that provided the inspiration for this remix - sometimes I actually prefer to listen to this tune over Reyn's version. It feels more polished, more velvety, more comforting. And it never fails to make me wonder. |
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Comic Bakery - arranged by Mongo ErectusReview by LMan, 02/06/2008 Interesting approach, although it's kind of overdone with the bit-crushing and distortion: it initially might make you wonder if the destroyed sound was intentional or an unfortunate accident during the mixdown.The second part from 2:48 onwards finds a better balance between distortion and distinguishable sounds: it doesn't try to do everything at the same time. Overall, I would love to hear this with better execution and smarter use of the distortion effects. Thumbs up for daring something out-there with the oft-remixed Comic Bakery. |
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Cauldron II (live at The Church) - arranged by Reyn OuwehandReview by ggeudraco, 01/05/2008 This remix starts off with a good drumbeat to get you started; it's not too complicated and gets you warmed up. This soon gets accompanied by another well chosen instrument about 30s later, which then gets replaced with another. This is a different method being used here, and I think it works much better than the previous way, which used up to about five instruments at the same time.The choice of using Mellotron and the choral is very wise, adding to the spooky theme that Cauldron II is supposed to provide. If you were told that a Rhodes piano would make a good proportion of this remix, it would be hard to comprehend, but there actually appears to be no problem at all using it. In general, Reyn's not putting in too many instruments at the same time, letting off one if one more needs to be used. It's very well edited and laid out, but I would wish for a few more bars of the Theremin at the end of the track. It would really suit the spooky setting to have a long outro, like it was in the raw Sunday Service version - this would be my only qualm with the remix. I very much enjoy this and denounce the criticisms Reyn makes in his blurb (sorry). |
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Nemesis the Warlock (live at The Church) - arranged by Reyn OuwehandReview by ggeudraco, 25/04/2008 The remix starts nice and quietly, building it's way up slowly - I find this is good to get comfortable with the track. However, at around 2:00, the inclusion other instrument feels a bit sudden, quick and overpowering the piano that started the whole thing off; only recovering with the harpsichord at 2:55.This soothing calm is rocked again by the use of the SID sample at 4:30. While this may be considerate towards the nostalgia of the track, I think it would have been better used on a remix using synth. As the track reaches its end, the fading of each instrument goes smoothly and ends nicely with the piano solo that started the whole thing off (with appropriate Sunday Service bells). For those who would start listening to C64 remixes, this may seem quite overdone and easy to criticise. But it must be noted that this was performed live on SLAY Radio, which shows Reyn's skills with multiple instruments and quick improvisation, and that is what rates this track highly. To respond to Reyn's blurb for this remix, I notice no significant glitches in the performance nor any issues with sound quality that can be heard over desk speakers. Because of these considerations, this is a good early candidate for ROTY. |
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Crazy Comets (Live at The Gathering 2003) - arranged by PRESS PLAY ON TAPEReview by el sid, 01/04/2008 I love the interpretation of this fine tune from Rob! I would vote red if the guitarist would better capture the technical quirks from the original tune.I saw the youtube clip and it was really cool to see the one of the band members in a C=-shirt and all. They looked kinda geeky and that's awsome!! Kewl performance! I would love to hear a studio-recording. |
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The last ninja 2 - CENTRAL PARK THEME - arranged by RebulusReview by XxDUSTYxX, 31/03/2008 This remix is pretty close to a red one. The Rhythmguitars sound ace and the drums are arranged very professional. The guitarsolo at 1:36-2:00 sounds a bit odd, and this trumpet-part at 3:30 can't convince me, because it sounds a bit like a mixture of folklore and a christmas tune.😉 It's awesome apart from that! Well done, Rebulus! I'm waiting for more of your stuff with impatience! |
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Sidology 2 Trinity - arranged by machinae supremacyReview by MORBID, 27/03/2008 Your guitarwork is awesome and the production has exactly the punch I like. I added all your remixes to my collection and I'm waiting for more… MORE! MOOOOOORE! Rock on, fellas!😉 |
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Comic Bakery - arranged by Instant RemedyReview by SkyMarshall Arts, 25/03/2008 Well, this is my all time favorite remix, regardless of platform. It's been at parties, in my car, during work and at home. Even my girlfriend had to fight her "hate" against my "addiction" to SID and its remixes, and admit it was a catchy little tune. To me, it never gets old.I like the arrangement and the drive it has. The persistent kick/bass-line and percussion (dam-dara-dam-da-ra) works perfectly, and its not too noisy and does not drown out the other instruments in the mix. It might not be the most varied production ever when it comes to arrangement and originality, and could easily become a little repetive. But it dont. It does something new whenever its close to getting old, and the interlude makes sure it survives another go at the lead. The low-to-high sliding at the end, before it all fades out, ends it perfectly. I dont think I have anything negative to say about this piece. The nostalgic factor on this one is… well… too huge. Good work, you need to whip up more like this. - Eirik |
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Hardcore Power (We Believe In Goa - Remix) - arranged by DafunkReview by spellcoder, 28/02/2008 I'm not really familiar with Goa, but I like a bit of techno, trance and 90's.If you like those categories you might like Dafunk's 'we believe in goa' remix of 'Hardcore Power'. The remix is nicely mixed and build up. The style reminds me a bit of Capella and Scooter. It starts very slow and athmospheric, building up the mood, much like Scooter does in 'Cosmos'. The beat kicks in at 1:08, but even though this sounds like a long time to wait I wasn't at all bored with the intro. Unlike many remixes, its produced very well. At around 2:54 we get a rest, making you want to hear more, instead of falling into repetition like some remixes do. And we do get more. At 6:57 it's a long remix, and even though I dislike long mixes I loved every second of it. Technically it's well mixed. Artistically it's not just a clone with different instruments, it's well though out and creatively done. For nostalgia factor… Well, until just now I hadn't heard the SID yet. Part of the melody does sound familiar to me so I might have had an. mod remix on my Amiga. |
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Beyond the Tears of my Heart - arranged by DafunkReview by Subzero, 22/02/2008 Listening to this gives me goosebumps, the arrangement is simply brilliant, mellow and relaxing but too short, any chance of an extended version? Its straight on my ipod, and definetely one of my favourites from dafunk |
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Lightforce (mind.in.a.box remix) - arranged by Stefan PoissReview by ahmadov1981, 16/02/2008 with a specific space technic, this remix will be placed in the Crown of the techno trance’s ground |
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Last Ninja 3 (mind.in.a.box mix) - arranged by Stefan PoissReview by ggeudraco, 11/02/2008 From the first few seconds, you can hear that this piece just jumps straight into the action, piggybacking off the SID. This piece immerses you into the music with its sweeping motions; something not easily done without using dynamic audio enchancement. Every instrument can be determined, and the subtle tones made keep me more than interested throughout the pieceThis by far improves on the current soundtrack, and is what I would expect for a remake on a modern system, but I regret that the ending could have been done a few seconds earlier; a section of the buildup is played when it would be just left to a calming fade. |
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lightforce (sleeping in tibet with a moog remix) - arranged by Sakana FaergeReview by iolo, 01/02/2008 I can't believe I'm the first who rates this as outstanding. This is just awesome. Yes, the start in the original is more energetic, but I think this re-mix is more in the mood of the second part of the SID. And yes, I think the second part is the best; the soundscapes remind me of the soundtrack of "Blade-Runner" (Vangelis). Technically flawless.S. Reich, Terry Riley, Robert Fripp, K. Schulze, Edgar Froese, Martin Galway, and probably R. Hubbard would be proud of this. Danke! |
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Green Beret (live at The Church) - arranged by Reyn OuwehandReview by ggeudraco, 26/01/2008 After hearing this a few times, your realise the gradual and sometimes subtle changes Reyn does for his intro. However, when you know the drums mark the beginning of the action, you're constantly waiting and feel tortured until they do kick in.Reyn has used a very appropriate set of instruments for this remix, but I'm afraid to say that his decision to perform it in a 'live' setting has led to degradation of what I can hear the guitar do - I often have to apply dynamic audio enchancement to fully immerse myself. A nice ending is achieved by the slow and subtle fading down of every instrument to that final few notes done by one unit. Does it capture the environment the SID does? No - Galway has this music sounding like a dawn chorus; Reyn has made it over the top and turned it to a different meaning. However, has Reyn applied his own style and succeeded as a result of it? Definitely! |
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Parallax Melody (alto sax) - arranged by markgReview by iolo, 17/12/2007 The good: I like your attitude -- submitting a remix again after some very unfair reviews of your previous efforts.I also like the sax's timbre for this melody. But are you sure this is alto? Sounds at least tenor to me. The bad: I think your skills at the instrument can't follow the melody quite well (no offense). Also, I think a more appropriate rhythm would be a better fit. The melody and the sax are too melancholic for this dance rhythm. Finally, I think it should be more concise (which would fit the "parallax melody" label more precisely). In the original, the previous segment of the tune settles the mood for this segment (in a quite remarkable way, I should add). Without that segment, the first couple of minutes of your remix--while waiting for the sax--gets quite boring. In sum: I'd recommend to keep practicing and re-submitting the remix in a couple of months. |
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Sanxion (Oops I remixed it again) - arranged by WobblerReview by iolo, 17/12/2007 There are several great renditions of this song, but this version rules them all. Very original. The only mistake is the title ("oops…). I was reluctant about listening to it just because I thought about some kind of dance-pop tune. |
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Spy Vs. Spy (Acoustic) - arranged by EricReview by LMan, 10/12/2007 Funny idea and vocals, thumbs up for that. Could be much better if the guitars were properly tuned to match the harmonica.Speaking of the harmonica: additionally to being off tune with the main guitar, it sounds very harsh and piercing in the mix with too much treble. Overall good effort with weak points in the production department. |
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Green Beret (live at The Church) - arranged by Reyn OuwehandReview by LaLa, 05/12/2007 As I'm writing these words in 2016, I can't believe this remix is already 9 years old. Since its release I haven't stopped listening to it - it has a visceral staying power, it etches itself into your brain and it doesn't let go.
This tune is a perfect example of Reyn's astonishing talent for the layer-by-layer improvisational style that he brilliantly demonstrated during every single I consider myself very lucky to have experienced the creative force of Reyn, the creative force of Martin Galway on the C64, and this remix of his tune in particular as interpreted by Reyn. And don't forget to check out cosmiq's remix of this remix which transforms it into yet another amazing interpretation. |
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House 6581 (club mix - short edit) - arranged by DafunkReview by infamous, 02/11/2007 I have absolutely no idea of the original tune so can't really get the link between the two but lets face facts off the bat here, dafunk know's his stuff and wouldn't write something completely out of context unless thats what it was.This is a remix, its doing whats said on the tin. The first thing that strikes me is the beginning (funny that should happen at the start aint it.. way to make myself sound like roger ebert) but it smacks of all the large progressive trance outfits, a slightly dubby low slung stabbing and straight into the 4t24 drumbeat and slowly building up to a very very sweet vocal. On the way to that point it has a beautiful soundscape which really does give it that clubby feel (so you succeeded with getting what you was looking for) and if I was still going out and getting drunk every week id definitely dance to this. So what about beyond? well lets talk about the mainline for a second.. genius trance work without a shadow of a doubt, its alot harder to write a decent trance tune than most people would realise (took me a while to realise this too) and dafunks done just that. As I said in my shout this would chart very high in the uk charts, I'd even go as far to say that it'd find itself getting airplay on radio shows and sitting no1 in the dance charts before armand van helden re-releases another one of his tunes heh. Technically speaking there isnt anything to fault, all the levels are perfect, the synths/drums etc clear and concise, no off notes no screw ups.. perfect production. and unless you really dont like trance music (in which case i 2nd dafunks "go away dont download it then") a damn good bar for the rest of the "dance" artists on this site to work from. remix of the year for me without a shadow of a doubt, unless paul van dyke comes on this site and releases a remix, that accolade is safe :p |
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Green Beret Full Orch - arranged by Allister BrimbleReview by Jackal, 12/09/2007 Excellent work Allister, definitely one of Galways strongest pieces, and love the bassoon work.. Attention to detail sets it head and shoulders above the other remixes.. |
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Thrust - arranged by Romeo KnightReview by Brian, 15/08/2007 Extremly well guitar playing: in time, with feeling, good vibrato and little gimmicks. The best i heard so far concerning c64 remixes. But not only well played, also very tastefull and the arrangement is far more than power cords with one, and the melody with the other guitar. I especially like how the bridge(?) is done with harmonics. Very original! The rhythm guitar is quite loud, compared to the melody. It's ok for me because it makes the track quite heavy and i wouldn't call it unbalanced.In my opinion the overall sound is a bit lacking. Though the tuned down base (or is it a 5 String?) sounds great, the drums do not match the guitar sound that well. The drum sound should by more dry, a bit more dirty and less sterile, witch would be more fitting to the modern sounding guitar. But hey, this would mean to hire a drummer and spend much money recording it. So this is not really fair to critizise it. Besides, the sound is far better than another rock version of Thrust (maybe you know whitch i mean), which wasn't even quite in time and tuning, though the guys sell it. |
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Driven21 (tiny rmx) - arranged by DafunkReview by DJB, 26/07/2007 This is the first time that someone has covreed one of my tunes, and I LOVE IT!!! I knew that this would sound nice after reading the comments, but its absolutely awsome. I love the drum change too, a little more upbeat than what I originally wrote the song to be, but a nice change. I can take or leave the quotes through it, it does add that little extra which is good. Hopefully I can come across a few more of my tunes remixed in the future. |
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Druid II - arranged by daXX offlineReview by Instant Remedy, 26/04/2007 Real well executed commercial-sounding remix, top marks for technical achievement and sound! Impressive.Although, I can't really say why I don't want to push play on winamp again. There wasn't any "magic" even if it sounded oustanding. It sounds really like a song from the Replay-series (Replay Dance Mania etc.) with remixed hits from the 80s and 90s which are lined up and machine-gunned out by popular remixers. I don't mean daXX made this in a coffe-break, I'm sure he had himself working many hours to get it sounding this good. The voice becomes a little too much at times, could have been used less with better effect. I also agree that the sound is a bit to "hard" to fit the original, just like the case with most remixes in the Replay-series. There is something missing to keep it interesting even if it has a sound which is way above standards for this genre at RKO. But I'll be looking for daXX at RKO in the future! |
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Druid II - arranged by daXX offlineReview by DHS, 20/04/2007 Techically perfect, commercial techno at his best. I have no complaints: it features a lot of dancey tricks to keep the track interesting and it totally centers the objective: making a *real* contemporary commercial track out of a sid. I must say that maybe this is the remix on RKO that manages to better cover that task.so: -Technically perfect. -Target centered 100%. -Features all the tricks. For me is a red, totally deserved. |
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The Great Giana sisters - arranged by EzpRadoReview by liontamer, 12/03/2007 Pretty straightforward arrangement, but well-produced. Nice change in dynamics with the dropping out of the beats, the stuttering rhythm arranging the source, plus the pad fading in at 1:05.Melody finally comes in at 1:25. The beatwork was produced nicely, but felt like it could have been more impactful. Good tradeoffs between the synth lead and the stuttering synth handling the melody, as well as changing the supporting instrumentation, present throughout the rest of the track. While the track didn't introduce new sound/writing ideas after a certain point, there was still a noticeable sense of making the arrangement evolve and develop over time. The melodic leads constantly traded off, while the background combinations shifted constantly as well. The track does feel a bit too samey after a while despite EzpRado attempting to vary things up. The synths, the beatwork, etc. dragged after hearing them used so much, IMO negatively affecting the replayability of the piece. The emergence of new sounds and writing ideas, like the ending section from 4:13-4:44, should have been used earlier in the track to keep things fresh. Could have been stronger and introduced more ideas into the picture over time, which holds it back a bit, but what's here is fairly good. |
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Aztec Challenge (run of despair) - arranged by Andrea BaroniReview by LMan, 24/02/2007 Parts of this arrangement are absolutely fantastic, others are a bit dissapointing. For instance, the guitar part at 1:43 should be much more bassy heavy (Rammstein esque), maybe an octave lower.Some of the melody variations don't seem to work very well, because the original arrangement is so powerful - kind of disappointed anticipation. Still - very good effort, only so close from being really outstanding. |
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Last Ninja 2 (Electro Ninja Mix) - arranged by Gecko YamoriReview by Covenant, 18/02/2007 Excellent remake of a classic track. Gotta love those heavy rich synth sounds, love this song… playing as we speak… keep up the awesome work |
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